Hailing from London,
Hot Chip entered the picture with the release of their 2000 debut,
Mexico. The EP was issued by Victory Garden Records, a label owned and operated by members of London's resident lo-fi psychedelic rock institution
Southall Riot. The
Mexico EP was a hypnotic wash of subtle -- nearly subliminal -- pulse-like techno beats, acoustic guitars, and plinky pianos, but the vocals were the true star of the show (no small feat in a musical climate overrun with disaffected
Lou Reed-esque mumblers and bland
Eddie Vedder impersonators). The voices of
Alexis Taylor and
Joe Goddard are a fine study in contrast.
Taylor offers dreamy, effortless falsettos that cut to the heart of the beauty of performers like
Jeff Buckley and
Nick Drake (minus any of the pretentiousness of
Radiohead or even
Coldplay, or the bland vocal acrobatics of
Remy Zero). Meanwhile, scattered throughout the record (and in the occasional duet),
Goddard offers a tone that sounds a bit more world-weary and at times almost gruff in comparison to
Taylor, calling to mind
Damon Albarn's cool monotone tendencies.
Self-released by
Hot Chip in 2002,
Sanfrandisco E-Pee showed the band dabbling in more playful sounds, from the beatbox dubbing of the title track to the closing notes of "Fanta," in which
Taylor pleads with the listener to "make sounds of the summer." There are moments of gorgeous melancholy as well, but on the whole, the album feels a bit more hopeful than
Mexico did. The group signed to revered N.Y.C. record label DFA in 2005 and released the
Over and Over EP, as well as the excellent 2006 full-length
The Warning.
Hot Chip kept busy in 2007 by supporting
The Warning with singles and consistent touring, and released a DJ-Kicks mix album. Late that year, the single "Ready for the Floor" heralded the arrival of
Made in the Dark, which featured some of the band's most focused grooves and poppiest melodies to date. The mellower
One Life Stand followed in 2010, along with a remix collection later that year.
Hot Chip left DFA for Domino, which released the more uptempo, experimental In Our Heads in 2012.
–
Karen E. Graves, Rovi