created a series of trebly, hissy indie rock records filled with infectiously brief pop songs that fell somewhere between the British Invasion and prog rock. After recording six self-released albums between 1986 and 1992, the Dayton, Ohio-based band attracted a handful of fans within the American indie rock underground. With the 1994 release of Bee Thousand, the group became an unexpected alternative rock sensation, winning positive reviews throughout the mainstream music press and signing a larger distribution deal with Matador Records. Despite all of the attention, the bandmembers never changed their aesthetic, continuing to record their albums on cheap four-track tape decks and thereby limiting their potential audience, yet that devotion to lo-fi indie rock helped
Schoolteacher
Robert Pollard formed
Guided by Voices in the early '80s. Throughout the group's history,
Pollard was at the center, writing the majority of the songs and leading each incarnation of the band. During the '80s,
Pollard was frequently joined by his brother
Jim, who continued to write songs for the group even after his departure in the late '80s.
Guided by Voices didn't become a full-fledged band until guitarist
Tobin Sprout and bassist
Dan Toohey joined the group in 1985. A year later, the group released an EP,
Forever Since Breakfast, on the local indie I Wanna Records.
Guided by Voices released their first full-length album,
Devil Between My Toes, on their own G Records in 1987; it was followed several months later by
Sandbox, which appeared on Halo.
Self-Inflicted Aerial Nostalgia was released on Halo in 1989 and
Same Place the Fly Got Smashed appeared on Rocket #9 Records in 1990.
During the latter half of the '80s,
Guided by Voices was essentially a hobby. The band rarely performed, and a wide array of musicians appeared on the group's albums -- according to some estimations, nearly 40 musicians passed through the band during its first decade. Nearly all of the
Guided by Voices albums before
Vampire on Titus were recorded in
Steve Wilbur's eight-track studio in his home garage;
Wilbur occasionally played guitar and bass on the records.
Guided by Voices added Mitch Mitchell (rhythm guitar) and
Kevin Fennell (drums) around the time of
Propeller (1992), which was released on Rockathon Records.
Prior to 1993's
Vampire on Titus, all of
Guided by Voices' records were essentially interchangeable musically, and none were widely available.
Vampire on Titus was the first album the band released on the Cleveland-based indie label Scat, and the wider distribution meant the record was heard by a larger audience. Soon, the group had won fans like fellow Dayton native
Kim Deal (
Pixies,
Breeders) and
Sonic Youth's
Thurston Moore. Later in 1993, the band began playing live for the first time in several years, with
Greg Demos replacing bassist
Toohey. By the spring of 1994, Scat had entered a national distribution deal with Matador Records.
Bee Thousand was the first album released under the deal, and it became a surprise word-of-mouth hit, earning positive reviews from mainstream publications like
Rolling Stone and
Entertainment Weekly.
Pollard had quit teaching shortly before the spring release of
Bee Thousand, and the group toured heavily behind the album, appearing on the second stage at several Lollapalooza dates. By the fall,
GBV's video for "I Am a Scientist" was aired a handful of times on MTV.
Demos left the band in late 1994 to study law and was replaced by music journalist
Jim Greer.
By the release of 1995's
Alien Lanes,
GBV had joined Matador's official roster; their contract with Scat was completed with the spring release of
Box, a five-disc box set containing the band's pre-
Propeller albums.
Alien Lanes was greeted with positive reviews upon its March release, and the group embarked on its first full-scale American tour.
Greer left the band before the recording for
Under the Bushes Under the Stars, which was released in spring of 1996. That fall,
Pollard and
Tobin Sprout both released solo albums on the same day; the records were quickly followed by an album-length EP a month after their release. As the solo albums indicated,
Pollard and
Sprout had had a falling out during the group's extensive tour earlier that year, which resulted in
Pollard firing the rest of the group.
At the end of 1996,
Pollard recorded the next
Guided by Voices record,
Mag Earwhig!, supported by the Cleveland garage punk band
Cobra Verde. In 1999,
Guided by Voices left Matador to sign with TVT Records, who paired the band with producer
Ric Ocasek in hopes of giving
GBV's label debut,
Do the Collapse, a more radio-friendly sound.
Pollard, however, allowed fans of his older work to revel in his lo-fi period with
Suitcase: Failed Experiments and Trashed Aircraft, a four-disc box set featuring 100 unreleased songs recorded over the space of 25 years. While
GBV's second album for TVT, 2001's polished and hard-rocking
Isolation Drills, received strong reviews, the band hadn't expanded its fan base far beyond its loyal cult, and in 2002
GBV returned to Matador with
Universal Truths and Cycles, as well as a number of side projects released through
Pollard's reactivated Rockathon label.
In the spring of 2004,
Pollard startled his fans with the announcement that he would be breaking up
Guided by Voices later that year. The band's supposed final album,
Half Smiles of the Decomposed, was released the following August, and the resulting farewell tour concluded with a New Year's Eve show in Chicago. Even broken up, 2005 was a busy year for
GBV.
Pollard signed with Chapel Hill's Merge Records and announced plans for a 2006 solo album. Rock critic and former bandmember
Jim Greer authored the book
Guided by Voices: A Brief History: Twenty-One Years of Hunting Accidents in the Forests of Rock and Roll. There was another box set of unreleased material, this one entitled
Suitcase 2: American Superdream Wow, and the 1992 album
Propeller was reissued. To add to the accumulation of
GBV material, a live album, Live from Austin TX, was released in 2007, showcasing a performance recorded in November 2004 for the PBS series
Austin City Limits during the band's farewell tour. In 2010,
Pollard and the 1993-1996 lineup (with
Tobin Sprout) of
GBV reunited to play a show at the Matador Records 21st anniversary party. They proceeded to tour again, and in 2011 announced they were working on new material. The following year,
GBV released their first new album in eight years, Let's Go Eat the Factory. Making up for lost time, a second new album, Class Clown Spots a UFO, arrived in June of the same year, with a third, Bears for Lunch, following before the year was out. The reunited band soldiered on in 2013 and dropped its fourth album, English Little League, right on schedule in May.
–
Stephen Thomas Erlewine, Rovi