Though they're one of the most important groups in the history of industrial and electronic music,
Cabaret Voltaire are sometimes forgotten in the style's timeline -- perhaps because they continued recording long after other luminaries (
Throbbing Gristle,
Suicide,
Chrome) called it quits. Also related to the fact is that
CV rarely stayed in one place for long, instead moving quickly from free-form experimentalism through arty white-boy funk and on to house music in the late '80s and electronica the following decade. The band, formed by guitarist
Richard H. Kirk, bassist
Stephen Mallinder, and tape manipulator
Chris Watson, were influenced by the Dadaist movement (whence came their name) and as such, came closer to performance art than music during many of their early performances. After several years of recording with no contract, the group signed to the newly formed Rough Trade label in 1978 and began releasing records that alternated punk-influenced chargers with more experimental pieces incorporating tape loops and sampled effects.
Following Watson's departure, the remaining duo inaugurated a new contract with Some Bizzare/Virgin in 1983 by shifting their sound, away from raging industro-funk and towards a more danceable form. The singles "Sensoria" and "James Brown" hit the indie charts during 1984, and
Cabaret Voltaire moved to EMI/Parlophone in 1986 for The Code. Two years later, the band traveled to Chicago to record
Groovy, Laidback & Nasty with
Marshall Jefferson, one of the mavericks in the new house sound blowing up in the British charts. After another break of several years, the new-electronica label Instinct released a trio of
CV LPs during 1993-94, after which the band's future appeared cloudy.
Kirk continued his solo career (recording as
Electronic Eye,
Sandoz and himself), while
Mallinder moved to Australia. A handful of compilations surfaced during the early 2000s: the two-volume The Original Sound of Sheffield sets (featuring A-sides, 12" mixes, and album highlights), Conform to Deform '82/'90 (a three-disc box containing B-sides, alternate mixes, and unreleased tracks), and Methodology '74/'78 (three discs of raw archival material).
–
John Bush, Rovi