One of the more obscure bands that was part of the original '60s British Invasion movement,
the Montanas are known primarily for their lone hit, "You've Got to Be Loved." The group originated in Birmingham in 1964 --
Bill Hayward, who'd previously played in other local bands like
the Crossfires and
the Connoisseurs, was the lead guitarist,
Graham Crewe was the original drummer, and
Ralph Oakley was the bassist, with
John Jones as lead singer. The group had a very theatrical presentation, which included bits of comedy between the songs.
The Montanas were managed by Roger Allen, who was able to get them a contract with Pye Records, which brought them under the wing of songwriters
Tony Hatch and
Jackie Trent. At the time, this probably seemed like a good move, and it was, as
Hatch and
Trent also wrote hits for
Petula Clark (
Hatch also produced
Clark and
the Searchers), who was a regular occupant of the top of the pop charts. The group also received a major boost in their musical resources in 1966 when
Terry Rowley, the lead guitarist with
the Mountain Kings, joined
the Montanas.
Rowley switched to keyboards in his new berth, but he was also a first-rate arranger and composer, and played a role within
the Montanas similar to the one played by
Paul Samwell-Smith in
the Yardbirds.
They had three songs, "Ciao Baby," "You've Got to Be Loved," and "Let's Get a Little Sentimental," that were favorites among reviewers, and got very heavy radio play, all without scoring any major chart action in England. Somehow, however, "You've Got to Be Loved" managed to make the American Top 50 -- but they lacked the resources to come to the United States to promote the record, and watched as it rose and fell from the sales listings, all under its own power.
Jake Elcock, formerly of
the Strangers and
Finders Keepers, joined on bass in 1967 along with
Graham Hollis on drums that same year. Everyone who ever saw
the Montanas perform live respected and admired them as one of the top bands in Birmingham; they were first-rate musicians and had a powerful sound playing live, and were deserving of a break and a hit. But even members of the band later conceded that for all of their musical excellence,
the Montanas had some inherent flaws in their lineup and their music. Their reliance on outside songwriters, which had been a mere detail (and typical of many first-rate bands, including
the Searchers) in 1965, had become a liability by 1967, and their records, for all of their excellence, didn't reflect the group's actual sound, which was a lot less pop-oriented than their singles would have led one to believe. By 1968, they were in a bind similar to the one faced by
the Tremeloes, a somewhat similar pop/rock band with a much more substantial body of hits to its credit.
In 1968,
Rowley and
Jones left the group to join a band called
Finders Keepers, which soon after became
Trapeze.
Ian Lees (known as "
Sludge") and
George Davies came into the lineup in time for "Let's Get a Little Sentimental" -- although
Lees played bass, he was best known for providing the comedy between their songs.
Rowley and
Jones only lasted as members of
Trapeze for the latter group's first album, and returned to
the Montanas in 1970. The group lasted with this latter-day lineup through the mid-'70s, finally disbanding in 1978. The group's recording had disappeared with the advent of the CD era, but a 26-track compilation of their best work (sharing the same title as their aforementioned hit single) was released in 1998.
Lees went on to become a top comedian in the Midlands, while
Elcock went into talent management.
–
Bruce Eder & Greg Prato, Rovi